I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I’m not the only one.
ABBAS KIAROSTAMII do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
More Abbas Kiarostami Quotes
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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
ABBAS KIAROSTAMI -
In the total darkness, poetry is still there, and it is there for you.
ABBAS KIAROSTAMI -
If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
ABBAS KIAROSTAMI -
There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are “like” someone in love sounds right.
ABBAS KIAROSTAMI -
This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
ABBAS KIAROSTAMI -
I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
ABBAS KIAROSTAMI -
Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI -
I have no advice for anyone on how to live.
ABBAS KIAROSTAMI -
In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
ABBAS KIAROSTAMI -
I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.
ABBAS KIAROSTAMI -
I never reflect or convey that which I have not experienced myself.
ABBAS KIAROSTAMI -
As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
ABBAS KIAROSTAMI -
It seems that film-makers are being divided between those working in digital and those who are not. I think it’s not something predetermined – it all depends on what project we have in mind, and on that basis we choose the medium.
ABBAS KIAROSTAMI -
In my experience as a director, I think there is obviously something of the way men – maybe that’s a common point with Shirin – the way men see women in the film, and the way these two characters see each other.
ABBAS KIAROSTAMI -
I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn’t sleep a wink for those 40 nights.
ABBAS KIAROSTAMI