black
grey
blue
red
brown
white

Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.

Abbas Kiarostami

I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
ABBAS KIAROSTAMI

City Village Film Prefer Society Town True
I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don’t use my camera anymore as a camera. I don’t feel it as a camera.
ABBAS KIAROSTAMI

Anymore Blessing Camera Changed Digital Filmmaker Life People
Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is.
ABBAS KIAROSTAMI

Couple Curtain Guess Neighbour People Sibling
The day we run out of petrol is the day Iran will be free.
ABBAS KIAROSTAMI

Day Free Iran Petrol Run Running
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
ABBAS KIAROSTAMI

Audience Film Morning Night Sleep Theatre
As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
ABBAS KIAROSTAMI

Benefit Common Culture Difference Film Ground Important Politician
My way of expression is full of complications and mystery because that’s my perception of life.
ABBAS KIAROSTAMI

Complication Expression Life Mystery Perception Way
I never reflect or convey that which I have not experienced myself.
ABBAS KIAROSTAMI

Convey Experienced Myself never Reflect
I believe there’s only good cinema and bad cinema.
ABBAS KIAROSTAMI

Bad Believe Cinema Good Only
The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film.
ABBAS KIAROSTAMI

Front Hold Men Mirror Nothing Reflection Viewer
The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn’t directing the actors so much as being directed by them. So it was a very particular film.
ABBAS KIAROSTAMI

Actor Character Directing Film Large Real Very
We are nothing but a link between our culture and what we can actually produce.
ABBAS KIAROSTAMI

Actual Between Culture Link Nothing Produce
I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.
ABBAS KIAROSTAMI

Derive Experienced Film Novel Story Trying
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
ABBAS KIAROSTAMI

America Cinema Critics Few Iran More People Unfortunately
Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
ABBAS KIAROSTAMI

Enjoy Listener Listening Mind More Remember Story Teller
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
ABBAS KIAROSTAMI

Choice Long Possible Responsibility Right

Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.

Related Topics

Popular Authors

Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.

Related Topics

Popular Authors

More Abbas Kiarostami Quotes