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The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.

Abbas Kiarostami

I really think that I don’t mind people sleeping during my films, because I know that some very good films might prepare you for sleeping or falling asleep or snoozing. It’s not to be taken badly at all.
ABBAS KIAROSTAMI

Digital Fall Film Good Prepare Sleep Taken
In real life, when someone’s partner calls them, they can tell from the first word their partner says what their mood is.
ABBAS KIAROSTAMI

First Life Mood Partner Real Word
I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.
ABBAS KIAROSTAMI

Anxiety English Familiar Man Men Responsibility
I never reflect or convey that which I have not experienced myself.
ABBAS KIAROSTAMI

Convey Experienced Myself never Reflect
I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
ABBAS KIAROSTAMI

Condemned Death Director Film People
When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I’ve met in real life.
ABBAS KIAROSTAMI

Character Know Not People Real Well
Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI

Close up Director Film Oeuvre Thinking Time Way
A movie is about human beings, about humanity.
ABBAS KIAROSTAMI

Human Being Humanity Movie
Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
ABBAS KIAROSTAMI

Despite Ease Great Understand Use Video
I have a picture from the end of the shoot, and in it I have lost all my hair.
ABBAS KIAROSTAMI

All End Hair Lost Picture Shoot
It’s not so much a question of whether we’ve shot it through 35mm or digital video; what is important is whether the audience accepts it as real.
ABBAS KIAROSTAMI

Accept Audience Digital Important Question Real Shot Video
A work of art doesn’t exist outside the perception of the audience.
ABBAS KIAROSTAMI

Art Audience Exist Outside Perception Work
In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
ABBAS KIAROSTAMI

Fashion Hold Hope Look Men Opinion Relationship
I believe there’s only good cinema and bad cinema.
ABBAS KIAROSTAMI

Bad Believe Cinema Good Only
I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I’m not the only one.
ABBAS KIAROSTAMI

Asking Behave Director Guilty More Perhaps Thinking
I wasn’t searching for a common denominator – I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.
ABBAS KIAROSTAMI

Challenges Common Other Cultures

The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.

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Popular Authors

The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.

Related Topics

Popular Authors

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