If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
ABBAS KIAROSTAMII thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
More Abbas Kiarostami Quotes
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Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
ABBAS KIAROSTAMI -
I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.
ABBAS KIAROSTAMI -
Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.
ABBAS KIAROSTAMI -
I’m not sure that my films show the reality of life in Iran; we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
ABBAS KIAROSTAMI -
The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.
ABBAS KIAROSTAMI -
I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
ABBAS KIAROSTAMI -
In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
ABBAS KIAROSTAMI -
I can only display what I’ve been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn’t deserve this heritage.
ABBAS KIAROSTAMI -
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
ABBAS KIAROSTAMI -
People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people’s minds to lazy minds.
ABBAS KIAROSTAMI -
We don’t look at each other [in the car], but instead do so only when we want to. We’re allowed to look around without appearing rude. We have a big screen in front of us and side views.
ABBAS KIAROSTAMI -
A work of art doesn’t exist outside the perception of the audience.
ABBAS KIAROSTAMI -
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
ABBAS KIAROSTAMI -
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
ABBAS KIAROSTAMI -
Close-Up is a very particular film in my oeuvre. It’s a film that was made in a very particular way; mainly because I didn’t really have the time to think about how to go about making the film.
ABBAS KIAROSTAMI