Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
AARON SORKINI like workplace shows and White House was a very glamorous workplace to set a show in; it appealed to a sense of romanticism and idealism that I have.
More Aaron Sorkin Quotes
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My resting pulse as a writer is writing idealistically and romantically; aspirationally. My taste lies in quixotic heroes.
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Just to clarify the division of labor on the show, I write the show and Alan [Poul] does everything else.
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I like workplace shows and White House was a very glamorous workplace to set a show in; it appealed to a sense of romanticism and idealism that I have.
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When I write something, I want the best director to direct it. And that’s not going to be me.
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The first step in solving any problem is recognizing there is one – America is not the greatest country in the world anymore.
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There’s a great tradition in storytelling that’s thousands of years old, telling stories about kings and their palaces, and that’s really what I wanted to do.
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Honestly, I don’t try to guess at what most people want. I don’t think I’d guess right, and I just think that that’s not a good recipe for storytelling. I try to write what I like, what I think my friends would like.
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I grew up in the theatre. It’s where I got my start. Writing a television drama with theatrical dialogue about the theatre is beyond perfection.
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I don’t think I write differently when I’m writing a screenplay, as opposed to a stage play or a teleplay. Maybe if I were in a film class and there was time to think about it, we could point out differences.
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Certainly, last year we did an episode about the census and sampling versus a direct statistic. You just said the word ‘census’, and people fall asleep.
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The hardest thing for me is getting started. If I’m writing a script, really 90 per cent of it would be just walking around, climbing the walls, just trying to put the idea together. Then the final 10 per cent would be writing it.
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I would love for people to think that I am as quick, clever, smart and heroic as the characters that I write, but those characters are characters.
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She’s a person; the doctor pronounces her dead, not the news.
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Never argue with a drunk or a fool.
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Film doesn’t have to worry. Movies are awesome. There’s no war going on, theaters aren’t going to lose.
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The guy who wins the Oscar for Best Actor has a much higher bar to clear than the woman who wins best actress.
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I think that if I couldn’t write, I would be unemployable.
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I don’t believe there are two sides to every argument. I think the facts are the center. And watching the news abandon the facts in favor of “fairness” is what’s troubling to me.
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There’s that process of writing it – then you come out of your room into the sunlight, and you now have to complete the circuit and make the connection finally with the audience.
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A hero would die for his country, but he’d much rather live for it.
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A news organization has a much different responsibility. I might not be telling you the whole story. I might not be telling you a story in a manner that is properly sophisticated.
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Only criminals and adulterers should have to hide who they are.
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There are no Asian movie stars
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Well, I must tell you I write the scripts very close to the bone. So I’m writing episode seven now and couldn’t tell you what happens in episode eight.
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Elite is not a bad word, it’s an aspirational one.
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People who don’t know anything tend to make up fake rules, the real rules being considerably more difficult to learn.
AARON SORKIN