I’d say our ability to supersize emotions are American-made special effects. In European countries, people mostly stay close to home and whatever rage there is simmers under the surface – it’s what made the plays of Shakespeare and Harold Pinter so good.
A lot of people get flipped out if you’re quiet. They say stuff like, What are you thinking? And if they don’t start interrogating you, they start talking, going on and on about stuff that’s totally irrelevant, and the silence gets so big and loud that it’s scary.
I’m very interested in compassion – compassion for oneself and others. I write about very complicated characters and experiences and try to do it without judging the character or the action.
It annoys the hell out of me when people say, This is the kitchen, and this is the bathroom. What am I, Helen Keller? I mean, it’s pretty obvious when you’re in a kitchen and when you’re not.
