Falling out of love is chiefly a matter of forgetting how charming someone is.
IRIS MURDOCHOf course this chattering diary is a facade, the literary equivalent of the everyday smiling face which hides the inward ravages of jealousy, remorse, fear and the consciousness of irretrievable moral failure. Yet such pretenses are not only consolations but may even be productive of a little ersatz courage.
More Iris Murdoch Quotes
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Youth is a marvelous garment.
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One should go easy on smashing other people’s lies. Better to concentrate on one’s own.
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Of course reading and thinking are important but, my God, food is important too.
IRIS MURDOCH -
I took a deep breath, however, and followed my rule of never speaking frankly to women in moments of emotion. No good ever comes of this.
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Reading and writing and the preservation of language and its forms and the kind of eloquence and the kind of beauty which the language is capable of is terribly important to the human beings because this is connected to thought.
IRIS MURDOCH -
The theatre is certainly a place for learning about the brevity of human glory: oh all those wonderful glittering absolutely vanished pantomime! Now I shall abjure magic and become a hermit : put myself in a situation where I can honestly say that I have nothing else to do but to learn to be good.
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An experience is richest not talked of.
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Love is the Extremely difficult realization that something other than oneself is real.
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We are all the judges and the judged, victims of the casual malice and fantasy of others, and ready sources of fantasy and malice in our turn. And if we are sometimes accused of sins of which we are innocent, are there not also other sins of which we are guilty and of which the world knows nothing?
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There is a gulf fixed between those who can sleep and those who cannot. It is one of the greatest divisions of the human race.
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To lose somebody is to lose not only their person but all those modes and manifestations into which their person has flowed outwards; so that in losing a beloved one may find so many things, pictures, poems, melodies, places lost too: Dante, Avignon, a song of Shakespeare’s, the Cornish sea.
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People from a planet without flowers would think we must be mad with joy the whole time to have such things about us.
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How huge it is, how empty, this great space for which I have been longing all my life. Still no letters.
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So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.
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But one must do something about the past. It doesn’t just cease to be. It goes on existing and affecting the present, and in new and different ways, as if in some other dimension it too were growing.
IRIS MURDOCH






