“I can dance to just about anything.”

Most of the time I care more for the happiness of others than for my own.

Never stop loving me.

We need to try to unite audiences, unite countries, join musical tastes, unite people.

If I have a platform and a voice, I should use it for my people.

My goal in music is to create nostalgic moments.

My style has always been my own, just like my flow and style.

I think that by staying true to myself and making music from my heart, the blessings come.

When I arrived, at first a lot of people were like, ‘This kid is different.’

There’s people that appreciate what I do; there’s people that criticize it.

Everyone has been in love, at some point or another.

How difficult it is to deal with myself.

The music we do is for people to enjoy, dance and sing to it.

I don’t want to be fake. I’m just being me. And I have the power to break stereotypes and whatever useless rules that society puts on us.

Music is something no one can control.

I’ve never liked February 14.

I always liked different things, rare things.

Telling each other the truth and being who we are, and having space for the other person’s vulnerability in being who they are, allows us to move in a kind of dance together that’s very fluid and graceful.

The things a man has to have are hope and confidence in himself against odds. And he must be ready to choose death before dishonor without making too much song and dance about it.

I should be on Broadway. You have to sing, you have to dance, you have to speak well, and I’m good at all of those!

Dancing begets warmth, which is the parent of wantonness. It is, Sir, the great grandfather of cuckoldom.

Avoidance. Probably the worst dance. – Complicated.

I have stretched ropes from steeple to steeple; garlands from window to window; golden chains from star to star, and I dance.

My men like satyrs grazing on the lawns, / Shall with their goat-feet dance an antic hay.

Every drop of her gin held a lost world of night sky dances.