I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late ’50s and early ’60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
PATTI SMITHI knew if I lived long enough I would be poet laureate of something.
More Patti Smith Quotes
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So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
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What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
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To be an artist – actually, to be a human being in these times – it’s all difficult. … What matters is to know what you want and pursue it.
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With the death of Robert Mapplethorpe, I had lost my main collaborator in taking photographs. So I didn’t know who to work with.
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My father came a couple of times, but he always blamed his hearing loss on my loud amplifiers. So he didn’t come anymore, but I had his support.
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I’m from South Jersey: The idea of eating a roll with olive oil and anchovies or some kind of sardine and drinking mint tea definitely comes from reading Paul Bowles.
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I was quite an insomniac. I rarely slept as a child. Having God to talk to at night was nice.
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The two things that constantly inspired me were books and travel.
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Writing is not some quiet, closet act.
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All I’ve ever wanted, since I was a child, was to do something wonderful.
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The film [Dream of Life] doesn’t hide anything, except maybe moments of sorrow or darkness that belonged to me.
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Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
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Everybody’s got to reclaim these thingspoetry, rock’n’roll, political activismand it’s got to be done over and over again. It’s like eating: you can’t say,’Oh, I ate yesterday’.You have to eat again.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
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One day we’ll go in together, and the work will be ours.
PATTI SMITH








