We are silent, considering shortfalls. There’s not much time left, for us to become what we once intended. Jon had potential, but it’s not a word that can be used comfortably any more. Potential has a shelf-life.
MARGARET ATWOODI lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over.
More Margaret Atwood Quotes
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Too much God and you overdose. God needs to be filtered.
MARGARET ATWOOD -
I don’t think of poetry as a ‘rational’ activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me.
MARGARET ATWOOD -
Stick a shovel into the ground almost anywhere and some horrible thing or other will come to light. Good for trade, we thrive on bones; without them there’d be no stories.
MARGARET ATWOOD -
I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over.
MARGARET ATWOOD -
It made him feel invisible—not that he wanted to feel anything else.
MARGARET ATWOOD -
When any civilization is dust and ashes,” he said, “art is all that’s left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.
MARGARET ATWOOD -
Confronted by too much emptiness … the brain invents. Loneliness creates company as thirst creates water. How many sailors have been wrecked in pursuit of islands that were merely a shimmering?
MARGARET ATWOOD -
Maybe that’s what love is, I thought: it’s being pissed off.
MARGARET ATWOOD -
I did … learn an important distinction in graduate school: a speculation about who had syphilis when is gossip if it’s about your friends, a plot element if it’s about a character in a novel, and scholarship if it’s about John Keats.
MARGARET ATWOOD -
Nature is an expert in cost-benefit analysis,’ she says. ‘Although she does her accounting a little differently. As for debts, she always collects in the long run.
MARGARET ATWOOD -
I’m a novelist, and idle speculation is what novelists do. How odd to spend one’s life trying to pretend that non-existent people are real: though no odder, I suppose, than what government bureaucrats do, which is trying to pretend that real people are non-existent.
MARGARET ATWOOD -
I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.
MARGARET ATWOOD -
The object is very clear in the fight against racism; you have reasons why you’re opposed to it. But when you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that.
MARGARET ATWOOD -
I grew up in the north woods of Canada. You had to know certain things about survival. Wilderness survival courses weren’t very formalized when I was growing up, but I was taught certain things about what to do if I got lost in the woods.
MARGARET ATWOOD -
I walk away from him. It’s enormously pleasing to me, this walking away. It’s like being able to make people appear and vanish, at will.
MARGARET ATWOOD