I’m not really a nostalgic person.
PATTI SMITHVowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
More Patti Smith Quotes
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A good artist’s always got his hand in his zipper.
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Hail brother, the distant thunder is nothing but hearts beating as one.
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In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
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So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
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I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
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I’ve always had a desire to write something and capture people’s imagination like Peter Pan had captured mine.
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I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
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I’m okay with roaming around the world in my bunk for days on end. Maybe every third day I’ll get a shower or stumble out at dawn and realize I’m in a field in Poland. I like that kind of life.
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One day we’ll go in together, and the work will be ours.
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Desire is hunger is the fire I breathe, love is a banquet on which we feed.
PATTI SMITH -
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH -
What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
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The two things that constantly inspired me were books and travel.
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People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
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You can’t work on that scale without trust. I learned that from working with Robert Mapplethorpe.
PATTI SMITH