You really write the books you want to write. You can’t take into consideration anything that anybody has said about you in the past, or what they’ll say about you in the future.
BRET EASTON ELLISAnd it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
More Bret Easton Ellis Quotes
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And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
BRET EASTON ELLIS -
I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say “I love you I love you I love you” while stripping. I want you so bad it stings.
BRET EASTON ELLIS -
I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
BRET EASTON ELLIS -
She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
BRET EASTON ELLIS -
I could stay living in this city if they just installed Blaupunkts in the cabs.
BRET EASTON ELLIS -
After a while you learn that everything stops.
BRET EASTON ELLIS -
Hip,” I murmur, remembering last night, how I lost it completely in a stall at Nell’s—my mouth foaming, all I could think about were insects, lots of insects, and running at pigeons, foaming at the mouth and running at pigeons.
BRET EASTON ELLIS -
I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
BRET EASTON ELLIS -
If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
BRET EASTON ELLIS -
How could she ever understand that there isn’t any way could be disappointed since I no longer find anything worth looking forward to?
BRET EASTON ELLIS -
I’m not a big believer in disciplined writers. What does discipline mean? The writer who forces himself to sit down and write for seven hours every day might be wasting those seven hours if he’s not in the mood and doesn’t feel the juice. I don’t think discipline equals creativity.
BRET EASTON ELLIS -
Fear never shows up and the party ends early.
BRET EASTON ELLIS -
Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
BRET EASTON ELLIS -
He was simply someone who floated through our lives and didn’t seem to care how flatly he perceived everyone or that he’d shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
BRET EASTON ELLIS -
People are afraid to merge.
BRET EASTON ELLIS -
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
BRET EASTON ELLIS -
I don’t know why I write what I write.
BRET EASTON ELLIS -
Rock ‘n’ roll. Deal with it.
BRET EASTON ELLIS -
I totally relate to Tom Cruise. He’s not crazy, it’s just the litany of the mid-life crisis.
BRET EASTON ELLIS -
Why was I holding on to something that would never be mine? But isn’t that what people do?
BRET EASTON ELLIS -
I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
BRET EASTON ELLIS -
Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
BRET EASTON ELLIS -
…if you’re alone nothing bad can happen to you.
BRET EASTON ELLIS -
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
BRET EASTON ELLIS -
I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
BRET EASTON ELLIS -
And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
BRET EASTON ELLIS