The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
LEV GROSSMANStop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there’s nothing else.
More Lev Grossman Quotes
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It turns out that there is something that can compete with free: easy.
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Careful what you hunt, lest you catch it.
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I’ve only read three books by Stephen King. When I was 10 I read ‘The Long Walk,’ one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read ‘The Dark Half,’ which taught me a word I have never forgotten: psychopomp. Now I have read ’11/22/63.’
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By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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It’s an engrossing look at the way the flow of information shapes history-as well as a rare glimpse into the soul of the hardcore geek
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there’s nothing else.
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Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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The problem with growing up is that once you’re grown up, the people who aren’t grown up aren’t fun anymore.
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A novel with a bad middle is a bad book. A bad ending is something I’ve just gotten in the habit of forgiving.
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Don’t take anyone’s writing advice too seriously.
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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I recognize that on paper, you can’t really tell that I’m a fan or a nerd.
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