Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
BRET EASTON ELLISWriting fiction is an act of imagination and fantasizing, and it’s not relating in prose what you’ve been doing for the last two or three years.
More Bret Easton Ellis Quotes
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Yes. Yes I am. I am a completely demented misogynist.
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There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.
BRET EASTON ELLIS -
One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
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So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It’s not the seals I hate——it’s the audience’s enjoyment of them that bothers me.
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She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
BRET EASTON ELLIS -
I totally relate to Tom Cruise. He’s not crazy, it’s just the litany of the mid-life crisis.
BRET EASTON ELLIS -
I feel like I’m not smart enough to answer the questions I’m asked.
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What does that mean know me, know me, nobody ever knows anybody else, ever! You will never know me.
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Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.
BRET EASTON ELLIS -
Do you wear a diaphragm everywhere you go?’ I want to scream, but stop myself because the idea really excites me.
BRET EASTON ELLIS -
I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
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People can get accustomed to anything, right? Habit does things to people.
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I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you’ve always lived.)
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With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
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I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
BRET EASTON ELLIS