This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
JAY ROACHFrom our perspective now, there is a not a huge understanding about the totalitarian Communism that Soviet Russia practiced during the 1950s – it was an atrocious system.
More Jay Roach Quotes
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Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.
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I think sequels should be earned and we won’t do it unless the script is better than the first one.
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I like to shoot a lot of choices. I like a lot of stuff – and so I push to go faster, to shrink the time between the takes so that the takes are what you’re spending all your time on.
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The success of the second ‘Austin Powers’ caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better.
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[Dalton] Trumbo himself was a terrible Communist.
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Sometimes I would like the opportunity to do character-driven comedy and that’s really what I was trying to do in Meet The Parents. I think in a way this is a more old fashioned type of comedy.
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Once you’re a public figure, there’s a certain amount of privacy you do give up.
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For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
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[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
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There’s people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don’t.
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I’m pretty opinionated sometimes although my political views change all the time, too. So I’m not very zealous.
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I wish I was sort of someone like Woody Allen who can stage everything in one long master shot, no coverage; just, you know, that’s it.
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Hedda’s Hopper attitude was ‘once a Commie, always a Commie.’
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It was an interesting process trying to get Bob to talk about the film because he’s such a shy person. He generally likes to talk when he really knows he has something to say.
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Sometimes you fall in love with some things and then you fall out of love with it.
JAY ROACH