One of the ways that we cope with anxiety is by over planning and over controlling. If we know where it’s going to, we can just relax and do it.
GEORGE SAUNDERSIf you’re going to make an emotional connection with somebody, whether it’s in the story or in the world, there’s a certain amount of self-acceptance that is required.
More George Saunders Quotes
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You can say you’re a liberal and everybody laughs and it’s a good time.
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And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
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I’m a big lover of America. I love the people, but also the weird berms, the strange little high schools tucked away in different places, and just the whole geography and the psychological apparatus of Americans.
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I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it’s a nice way to neutralize that polarization.
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I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
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If you have a friend, what’s the best way you can experience her beauty? It’s to really accept her. She’s weird in this way,
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One of the inspiring things about Susan Sarandon career is that there’s a quality of real fearlessness in it – you seem to be in it for the challenge and the experience.
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I’m fascinated with actors, and I’ve never quite understood the process.
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Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
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America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
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When somebody you’ve known for 20 years, and with whom you have a full context, winks at you or whatever, it can be huge. I think in a sense what you’re trying to re-create in fiction is that.
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I always describe writing a story as throwing bowling pins in the air and then catching them.
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Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
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My go-to default is to try to be nice, which I feel does less harm in the long run than trying to be, say, assertive. If I am nice and maybe too passive, I find that easier to live with.
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So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
GEORGE SAUNDERS