If someone gave me the chance to create something, I put myself into it. I just want to try to do something that will last forever and that won’t leave people saying, ‘Gee, it could have been better, it could’ve been this, it could’ve been that.’
Everybody. Somebody would just stick their head in the door and say, “He sounds too Jewish.” Or, “He’s too tough, he’s off-putting. You gotta seduce kids, not scare them out the door.”
To me, it all comes down to things being character-driven. It’s hard for me to look beyond that. CG and all this cool stuff – so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
But the throat just kind of falls into line once you realize in your head what it is. You got to remember the musicality of a character you’re going to do.
All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men’s voices, but they weren’t Everyman, it was them.
