I live in a house that was built in 1480. It has a moat around it. It is like a little baby castle.
BILL WYMANI’m not an upfront person. Being upfront is not my forte. I’m quite happy to stay in the back there with the drums, where I belong.
More Bill Wyman Quotes
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I always say that I am very proud of the work that I did with the Rolling Stones and that I am also proud of what I have done with the Rhythm Kings.
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It’s all right leaping about the stage when you’re 20 but when you get to 25 it gets a bit embarrassing
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The Stones always tried to do the odd smaller gig when they could.
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But why is it that in music, anything more than 5 years old – apart from a few hits – is never played on radio to the young public?
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Everything had to be done in-between Stones time.
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I love to play smaller crowds with the Rhythm Kings.
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Because of the fashion, the young people don’t have any access to the history of music, unless people like me revive it. There are very few people to revive it, because you can’t earn any money doing it.
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With the Rhythm Kings, I can involve myself in arranging and producing the music as well as the choice of songs.
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I always got great respect as a bass player.
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I’m not a musician, I just play bass.
BILL WYMAN -
I can’t really sing and play live, because I can’t play bass efficiently and sing at the same time. If I concentrated on the vocals, I’d mess up the bass, and if I concentrated on the bass, I’d forget the lines.
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I open events for museums and I do charity work and photography.
BILL WYMAN -
I’m not an upfront person. Being upfront is not my forte. I’m quite happy to stay in the back there with the drums, where I belong.
BILL WYMAN -
When I record in a studio I don’t use an amp. I go directly into the board, so I can get that very fat, full sound – which is my favorite sound.
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Onstage I like to play with a an 18-inch speaker, which very few bass players do. I need that fat, underneath sound, which I’ve always had. It suits me admirably to do it like that, and I can imitate that sound by plugging directly into the board in the studio.
BILL WYMAN