I think we’ve all lost some kind of feeling.
BRET EASTON ELLISOne part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
More Bret Easton Ellis Quotes
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I don’t want to care. If I care about things, it’ll just be worse, it’ll just be another thing to worry about. It’s less painful if I don’t care.
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I’ve never written an autobiographical novel in my life. I’ve never touched upon my life. I’ve never written a single scene that I can say took place.
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I totally relate to Tom Cruise. He’s not crazy, it’s just the litany of the mid-life crisis.
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People are afraid to merge.
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So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It’s not the seals I hate——it’s the audience’s enjoyment of them that bothers me.
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And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
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Writing fiction is an act of imagination and fantasizing, and it’s not relating in prose what you’ve been doing for the last two or three years.
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I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
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I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it.
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When I’m writing a book, I’m not thinking, “Oh, this would be a great movie.” This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
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The Smiths are singing and someone says “Turn that gay angst music off.
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Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.
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Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
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At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
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People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
BRET EASTON ELLIS






