Anyone can be shamed, but feeling guilt requires empathy within.
GEORGE SAUNDERSI’m not a natural criticizer – I prefer to like and praise and so on.
More George Saunders Quotes
-
-
As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
GEORGE SAUNDERS -
I think that fiction has a part to play in urging us, as a species, toward compassion.
GEORGE SAUNDERS -
I do find the values in A Christmas Carol significant. It is important not to be mean and stingy and not to give up love for money.
GEORGE SAUNDERS -
Success makes opportunities and so many of those “opportunities” are actually exemptions – from hardship, from unfriendliness, from struggle.
GEORGE SAUNDERS -
I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
GEORGE SAUNDERS -
One of the things I noticed about the Trump supporters was a lot of projected fear. I can’t tell you how many times a conversation went like this: “We’ve got to stop these immigrants, because it’s terrible.” I’d say, “Okay, what personally have you observed about this?” And there would be basically nothing in that box. And I’d say, “Where’d you get your information?” thinking they were going to say Fox. But they would always say, “Well, I get my information from all kinds of sources.” Fox is kind of center-left to a lot of people now.
GEORGE SAUNDERS -
I’ve noticed that nowadays I’m doing a lot of stuff on the phone and on the computer, which I usually wouldn’t do earlier. And I can feel my brain being rewired:
GEORGE SAUNDERS -
Art is not some inessential frippery – it is the nation’s means of intelligently regarding itself. To cripple or stigmatize the arts is to doom one’s nation to a life of incuriosity, dullness, literalness and the worst kind of rank materialism.
GEORGE SAUNDERS -
When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
GEORGE SAUNDERS -
I’m turning 58, and you get that kind of weird, old-guy feeling of you don’t have an infinite number of years left and if there’s anything you want to say or represent, it’s time to try it.
GEORGE SAUNDERS -
The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
GEORGE SAUNDERS -
I read Rand and thought, “I want to be one of the earth movers, the scientific people who power the world. I don’t want to be one of these lisping liberal artsy leeches.” So I was working against my actual abilities.
GEORGE SAUNDERS -
I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it’s a nice way to neutralize that polarization.
GEORGE SAUNDERS -
As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn’t really planned or planted.
GEORGE SAUNDERS -
I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
GEORGE SAUNDERS