Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
BRADFORD COXI see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
More Bradford Cox Quotes
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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I don’t like the sound of my own voice. And, for people I don’t know, their impression of me is what they read on the internet, and they’re so far off a lot of the time.
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We didn’t have MTV, and I was desperate for something. You know, you’re young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
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You gotta have friends, and it’s really hard to have friends that don’t operate on the same schedule as you or do the same kind of things you do, because they don’t understand it.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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