I like to shoot a lot of choices. I like a lot of stuff – and so I push to go faster, to shrink the time between the takes so that the takes are what you’re spending all your time on.
JAY ROACHMini-Me was the pint sized clone that was the perpetuation of Dr. Evil’s own legacy [in Austin Powers]. That concept earned the sequel.
More Jay Roach Quotes
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Mini-Me was the pint sized clone that was the perpetuation of Dr. Evil’s own legacy [in Austin Powers]. That concept earned the sequel.
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There’s people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don’t.
JAY ROACH -
The commentary track became a lot like the movie and there are some funny, long, awkward pauses that you can tell we’re just trying to find stuff to say. None of us had gotten to really talk about the movie until that moment and they were in New York and we were in L.A.
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Sometimes you fall in love with some things and then you fall out of love with it.
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I wish I was sort of someone like Woody Allen who can stage everything in one long master shot, no coverage; just, you know, that’s it.
JAY ROACH -
I love Dr. Evil [from Austin Powers] as a walking, talking, narcissistic manifestation of everything screwed up about human existence – his desire to take over the world, and have the world reflect his own power lust.
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[Dalton] Trumbo himself was a terrible Communist.
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This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
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I think sequels should be earned and we won’t do it unless the script is better than the first one.
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When Dalton Trumbo and his friends joined the Communist Party it was 1943, and Russia was our ally in World War II. This was connected to a very popular movement of artists and intellectuals at that time towards anti fascism, and an alliance with the union movement.
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John Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.
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That’s why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
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I’m developing some other things in other genres, including one dramatic piece. So, anything’s possible.
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When I’m shooting, really the audience I’m thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
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I always had a respect and an admiration for people who got into politics. I certainly have always been interested in law and political science.
JAY ROACH