People have an actual bias against there being some kind of popularity for political films, and when they get acknowledged, it helps keep the conversation going.
There’s people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don’t.
The success of the second ‘Austin Powers’ caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better.
I love Dr. Evil [from Austin Powers] as a walking, talking, narcissistic manifestation of everything screwed up about human existence – his desire to take over the world, and have the world reflect his own power lust.
This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
[Lyndon Baines Johnson ] technique in negotiation would be that he’d lean into you and take away your personal space, it didn’t matter your party affiliation when he was trying to convince you of something.
From our perspective now, there is a not a huge understanding about the totalitarian Communism that Soviet Russia practiced during the 1950s – it was an atrocious system.
People have an actual bias against there being some kind of popularity for political films, and when they get acknowledged, it helps keep the conversation going.
One of the series of decisions that the great screenwriter John McNamara made was about who to depict. [Ronald] Reagan had a role in HUAC, he was a friendly witness, but never went over-the-top about it.
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