Greed is good. Sex is easy. Youth is forever.
BRET EASTON ELLISAnd as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
More Bret Easton Ellis Quotes
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With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
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People are afraid to merge.
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So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It’s not the seals I hate——it’s the audience’s enjoyment of them that bothers me.
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I think basically most men are misogynistic.
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I’m not a big believer in disciplined writers. What does discipline mean? The writer who forces himself to sit down and write for seven hours every day might be wasting those seven hours if he’s not in the mood and doesn’t feel the juice. I don’t think discipline equals creativity.
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It’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
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I think we’ve all lost some kind of feeling.
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Is evil something you are? Or is it something you do?
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
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Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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The Smiths are singing and someone says “Turn that gay angst music off.
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And as things fell apart, nobody paid much attention
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And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
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I don’t want to care. If I care about things, it’ll just be worse, it’ll just be another thing to worry about. It’s less painful if I don’t care.
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That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
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My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
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My pain is constant and sharp, and I do not hope for a better world for anyone.
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Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
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Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
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I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
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And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
BRET EASTON ELLIS -
I’ve been accused of being very vain about my apathy.
BRET EASTON ELLIS -
Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.
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Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
BRET EASTON ELLIS