I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.
JULIA STILESAs an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
More Julia Stiles Quotes
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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I worked regularly from very early on, and some of it was probably a bit premature.
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The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
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I am forever grateful that I got some training in the theater – it reduces performance anxiety.
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I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
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Make yourself useful, not just on a day to day basis, but as a lifetime thing.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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I feel like I have a skill set, but every experience is different and there’s always room for improvement.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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I never think of myself as an actor who takes work home with them.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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Theater makes working in movies or TV seem like a cake-walk.
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I like analyzing human behavior. It’s complex. That’s what keeps me going.
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I think women get caught up too much in having a plan – ‘I’m going to get married at this age I’m going to have a kid at this age’ – and then they just try to find a guy who will fit into that picture. I don’t want my life to be based on that.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
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I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn’t have actresses then.
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It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
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I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It’s very subtle – it’s actually without dialogue. I do think it’s powerful even without words.
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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
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My regular school didn’t know what to do with me!
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I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
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I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
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With film, so much is in the director’s hands. Once something is cut together – unless you’re in the editing room – you don’t really remember what the alternatives are.
JULIA STILES