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My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.

Bill Viola

The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
BILL VIOLA

Death DNA Light Material Speed
A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together.
BILL VIOLA

Art Being Just Together
Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
BILL VIOLA

Everything Issue Man Mind Walk
It only takes a second for an impression to become a vision.
BILL VIOLA

Impression Second Vision
Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
BILL VIOLA

Experiences Mystical Solitude Wisdom
There is an invisible world out there, and we are living in it.
BILL VIOLA

Invisible Living World
Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
BILL VIOLA

Fast Paced Soul World
Revolution is something that actually starts in individual hearts.
BILL VIOLA

Heart Individual Revolution
We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
BILL VIOLA

Call Death Metaphor Moment Ourselves
Vision connects you. But it also separates you. In my work, and my life, I feel a desire to merge. Not in terms of losing my own identity… but theres a feeling that life is interconnected, that theres life in stones and rocks and trees and dirt, like there is in us.
BILL VIOLA

Feelings Identity Interconnected Rocks Tree
I would prefer to be forgotten, then rediscovered in a different age.
BILL VIOLA

Age Different Forgotten
In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
BILL VIOLA

Art Change Students Thinking
For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That’s a metaphor for the acquisition of knowledge.
BILL VIOLA

Floating Moving Ocean Water
I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
BILL VIOLA

Art Believe Borrowing Original Thinking
When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
BILL VIOLA

Art Hope Reflection Something Space
I like to keep the meanings in my work flowing and open.
BILL VIOLA

Flowing Keep Meaning Open

My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.

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My works really begin in a very simple way. Sometimes it’s an image, and sometimes it’s words I might write, like a fragment of a poem.

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Popular Authors

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