Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTTFurthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
More Berenice Abbott Quotes
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Photography can only represent the present. Once photographed, the subject becomes part of the past.
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I think the important decision for a photographer is to choose a subject that intensely interests him or her.
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I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
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The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
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Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
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I haven’t seen too many images that have impressed me!
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I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
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It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
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I’m not a nice girl. I’m a photographer.
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I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
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Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
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Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
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None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
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The camera is no more an instrument of preservation, the image is.
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I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
BERENICE ABBOTT