The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
BERENICE ABBOTTFurthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
More Berenice Abbott Quotes
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Photography doesn’t teach you to express your emotions; it teaches you how to see.
BERENICE ABBOTT -
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT -
The art is in selecting what is worthwhile to take the trouble about.
BERENICE ABBOTT -
The photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT -
I haven’t seen too many images that have impressed me!
BERENICE ABBOTT -
Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.
BERENICE ABBOTT -
Photography can only represent the present. Once photographed, the subject becomes part of the past.
BERENICE ABBOTT -
I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
BERENICE ABBOTT -
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
BERENICE ABBOTT -
It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
BERENICE ABBOTT -
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT -
The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
BERENICE ABBOTT -
What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
BERENICE ABBOTT -
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT -
The camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT