Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.
ROB LOWEI had to learn American sign language. And I did stuff in it, stuff that was just for me and was fun, that I don’t think anyone would ever notice.
More Rob Lowe Quotes
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Sam Seaborn is the best character that’s ever been written for me, certainly. By far. And it’s a timeless show [The West Wing], one that’s having another resurgence now, with people so in an uproar politically.
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[The Specials ]was always going to be an underground, underdog kind of movie. But I love when people bring that up, because it’s very early, vintage James Gunn.
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Everybody is naughty, everybody is good.
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I’m not going to stop talking to people who come up to me in an airport. I’m not going to worry about what may be their ulterior motive.
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My looks have prevented people from seeing my work.
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It’s always a good day when I get to work with Jim Belushi, who I adore.
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You can’t believe everything you read. It’s never been more true.
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There’s this unbelievable bias and prejudice against quote-unquote good-looking people, that they can’t be in pain or they can’t have rough lives or be deep or interesting.
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What people do in their private lives is their business, and shouldn’t be anybody else’s business.
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Actually, if I had to do it over [leaving the show the West Wing], I’d do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
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Contrary to popular belief, I don’t go out very much. When I do go out, a lot of times it’ll be to something like a heavyweight fight, and I’ll be photographed, so that people have this conception that I go out a lot.
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[The Outsiders] was all new to me. It’s been fun to be a part of that ride, where it’s become on the level of Catcher In The Rye in terms of people’s required reading in schools.
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The really good thing about my career is that I never went through a phase where I played characters who had names like “Partygoer,” “Waiter,” or “Guy #1.”
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Some of the ’80s movies I did are sort of museum pieces. St. Elmo’s Fire is great as a sort of kitschy, “Oh, my god, I can’t believe we wore that” type of movie.
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It’s the media that take an isolated incident and make it a deciding factor in a presidential campaign, as opposed to the real issues, like abortion, the homeless, the deficit. The same is true with actors and their lifestyles.
ROB LOWE







