A big ego isn’t necessarily a bad thing. A big ego means that you have some confidence in your abilities, really, and that you’re prepared to take the risk of trying them out.
BRIAN ENOThe vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
More Brian Eno Quotes
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I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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The problem with computers is that there is not enough Africa in them.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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Be the first to not do what nobody has ever thought of not doing before.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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The handbook always tells you what it does, and you can be quite sure that if it’s a complex device it can do at least fifteen other things that weren’t predicted in the handbook, or that they didn’t consider desirable. It’s normally those other things that interest me.
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Every collaboration helps you grow.
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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
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When I’ve finally got the title, I think, “Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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There’s a kind of edge to what you’re doing, the kind of leading edge of what you’re doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. “I’ve pulled that one out before. Oh, no, I can’t I’m just fed up with that.
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It’s easy to forget that your best work is done when your attention is fully engaged.
BRIAN ENO