I think religion is often very different from spirituality. Religion is often about rules and people trying to control our lives who are actually very unspiritual…
DARREN ARONOFSKYI feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
More Darren Aronofsky Quotes
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When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
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At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
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I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
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Now there is so much expertise and brainpower it’s hard to be at the cutting edge of what’s cool and not do something that’s totally geeky.
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I think it’s my nature to try and make original content, and that’s what I’ve done, is just try and approach things in an original way, and do things differently.
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I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
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CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them.
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My god is narrative filmmaking.
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These wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
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There was that whole Ecstasy culture. People were having a pretty good time in the ’90s.
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Comic books and graphic novels are a great medium. It’s incredibly underused.
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I’ve been joking that if Madonna taught us anything, you’ve got to reinvent yourself. I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
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I end up spending a tremendous amount of energy and time trying to get money to make these movies and it’s exhausting.
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Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
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The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
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I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
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To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don’t think is a good ride.
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When I go to movies I generally want to be taken to another world.
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Animators have to live life 24 times as long as we do – every 24 frames of a second.
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That’s the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It’s upsetting because you get away from the core.
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Angel Heart’ was one of my favorite films.
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I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
DARREN ARONOFSKY -
For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
DARREN ARONOFSKY -
I couldn’t sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
DARREN ARONOFSKY -
I try to live my life where I end up at a point where I have no regrets. So I try to choose the road that I have the most passion on because then you can never really blame yourself for making the wrong choices. You can always say you’re following your passion.
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I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
DARREN ARONOFSKY