I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
BRADFORD COXContrary to popular belief, maybe, I’m a really friendly guy, I guess, and I really like meeting people. And I’m not really super impressed even if you’re my hero.
More Bradford Cox Quotes
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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I’m gonna put my two cents in as my status update on my Facebook page” or something. Not to sound like an anti-technology person, but it’s just a real drag that people live their lives that way.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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The sober guy is always going to have this air of arrogance or self-righteousness, but it’s not my intention. I just knew that if I drank, I’d have a drinking problem.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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People say ‘I don’t want to die alone!’ But you know what, honestly? I don’t want to die with a bunch of people looking at me.
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