For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TOROI am the nice adversary, the guy that’s going to ask the tough questions and is not going to be happy with the quick answer.
More Guillermo del Toro Quotes
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The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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I only produce directors and movies that I have a lot in common with.
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You have to believe the magic to see it.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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There is beautiful in the grotesque.
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What happens to me is that I am first and foremost a film geek.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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We’re in three living groups, ’cause even after the world’s ended some assholes still can’t get along.
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Your heart is uncomplicated. It knows what it knows and acts accordingly. Greater wisdom is hard to find.
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I like John Carpenter. I like some of his films more than others
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I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
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When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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I think there is a very quiet power in things that are not on screen
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
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There’s nothing that defines who you are more than boundaries, whether you cross them or not, in every aspect of your life, and horror is a really great boundary.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
GUILLERMO DEL TORO