You do the best job you can. You take it step by step. It’s hard enough to make a movie. If it works, that’s great. If it means something beyond the moment to somebody, they can take it and it lasts through the years, we’ll see.
OLIVER STONEYou can never judge how the film will be taken; you can only make your best effort, and put out what you feel. How it’s read, you never can tell. Or remembered for that matter.
More Oliver Stone Quotes
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It was a tough experience with Alan Horn, who didn’t like anything that was R-rated. So you can imagine he hated some of my films.
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I don’t want to make a half-assed film. It’s not my area of expertise.
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It’s interesting that when economic times were the hardest, that’s when many people embraced liberalism.
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I feel like I am what I am.
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A woman can be very beautiful and an ideal model and she will photograph incredibly well, but she’ll appear in film and it won’t work. What works is some fusion of physical beauty with some mental field or whatever you call it. I don’t know.
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I went to Vietnam, and I was there for a long time. [Using marijuana] made the difference between staying human or, as Michael Douglas said, becoming a beast.
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Pat Nixon was called the Mona Lisa of American politics. She never wrote anything. Her interviews tell us nothing.
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People will go to clean theaters; they don’t like to go to dirty theaters.
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We pray for no destruction, and for the forces of destruction not to take over.
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When I make a new movie, I always get stuck with, “That’s not an Oliver Stone film.” But I don’t know what to do about that except just move on.
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Horses are very difficult to shoot.
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Well first of all you have to make the character strong so that people can follow that. And then hopefully that character can integrate with the background of the social situation that people can recognize.
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I will come out with my interpretation. If I’m wrong, fine. It will become part of the debris of history, part of the give and take.
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There is nothing inherently wrong with greed as a human motivator – greed motivating evolution. But there’s a huge disconnect between the classes. It is very demoralizing to work for someone who makes a billion dollars a year while you make just barely enough to make it.
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The only home I had was with Warner Bros. during the ’90s. I made four movies with them then. Natural Born Killers, JFK, Heaven and Earth. Any Given Sunday was the last. And that was the end of the Terry Semel/Bob Daly regime.
OLIVER STONE