Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLISMy pain is constant and sharp, and I do not hope for a better world for anyone.
More Bret Easton Ellis Quotes
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That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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We buy balloons, we let them go.
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Do you know what Ed Gein said about women?’ […] ‘”When I see a pretty girl walking down the street I think two things.
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I stare into a thin, web-like crack above the urinal’s handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone.
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Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
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The Smiths are singing and someone says “Turn that gay angst music off.
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With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
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I don’t really need to pretend, because it’s who I am, an emotional vampire. I’ve just come to expect it. Vampires are real. That I was born this way. That I feed off of other people’s real emotions. Search for this night’s prey. Who will it be?
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No one is drawn to writing about being happy or feelings of joy.
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My pain is constant and sharp, and I do not hope for a better world for anyone.
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I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
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And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
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I feel like I’m not smart enough to answer the questions I’m asked.
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…if you’re alone nothing bad can happen to you.
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People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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There’s no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me.
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I’ve never written an autobiographical novel in my life. I’ve never touched upon my life. I’ve never written a single scene that I can say took place.
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If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
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And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
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How could she ever understand that there isn’t any way could be disappointed since I no longer find anything worth looking forward to?
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There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.
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I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it.
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I think we’ve all lost some kind of feeling.
BRET EASTON ELLIS