Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
BRIAN ENOI still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
More Brian Eno Quotes
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
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I hate the rock music tradition. I can’t bear it!
BRIAN ENO -
For the world to be interesting, you have to be manipulating it all the time.
BRIAN ENO -
Put out as much as you can. It doesn’t do anything sitting on a shelf.
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We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
BRIAN ENO -
I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
BRIAN ENO -
I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
BRIAN ENO -
The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
BRIAN ENO -
The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENO -
If something is good, you must torture it mercilessly until it is either dead or great.
BRIAN ENO -
Well, there are some things that I just can’t get out of my head, and they start to annoy me after a while.
BRIAN ENO -
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
BRIAN ENO -
I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
BRIAN ENO -
The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
BRIAN ENO







