black
grey
blue
red
brown
white

I mean, the sonnet will simply tell you, that’s too many syllables or that’s too many lines or that’s the wrong place. So, instead of being alone, you’re in dialogue with the form.

Billy Collins

Poetry is like standing on the edge of a lake on a moonlit night and the light of the moon is always pointing straight at you.
BILLY COLLINS

Lakes Moon Night Pointing
It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
BILLY COLLINS

Brain Memories Southern
I was an only child, a very late child, born to parents who were both 39 at the time, which was very late back then. That kind of confirmed my sense of being the center of the universe, which I guess every child feels – children and poets both tend to feel.
BILLY COLLINS

Child Children Only Parent
While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
BILLY COLLINS

Novelists Poet Typewriters
I could feel the day offering itself to me, and I wanted nothing more than to be in the moment-but which moment? Not that one, or that one, or that one.
BILLY COLLINS

Feels Moments Offering
Every Day Is for the Thief is a vivid, episodic evocation of the truism that you can’t go home again; but that doesn’t mean you’re not free to try.
BILLY COLLINS

Day Every Home Mean Trying
I had a sense, I guess, from just reading a lot of poetry of how a poem would start and how it would end but really I didn’t know what I was doing. It had very little connection to my life.
BILLY COLLINS

Connecting Interesting Poem Poetry Sense
It’s time to float on the waters of the night. Time to wrap my arms around this book and press it to my chest, life preserver in a seat of unremarkable men and women anonymous faces on the street, a hundred thousand unalphabitized things a million forgotten hours.
BILLY COLLINS

Arms Book Men Night Preserve Press
When I wrote I took on the role of the despondent and difficult to understand person. Whereas in life, I was easy to understand, to the point of being simple-minded maybe.
BILLY COLLINS

Easy Person Roles Simple Understand
That’s the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
BILLY COLLINS

Poem Reader Talking Travel Writing
So many names, there is barely room on the walls of the heart.
BILLY COLLINS

Heart Names Wall
When I began to dare to be clear, because I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
BILLY COLLINS

Comprehensible Exposed Real Risk Saying Thinking
The really authentic thing about humor is that anyone can pretend to be serious. Anyone who’s ever had a job – in fact, we’re pretending to be serious now, more or less.
BILLY COLLINS

Anymore Facts Jobs Serious
The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
BILLY COLLINS

Constructed DNA First Keys Signatures Time
No one here likes a wet dog.
BILLY COLLINS

Dogs Likes Wet
A motto I’ve adopted is, if at first you don’t succeed, hide all evidence that you ever tried.
BILLY COLLINS

Firsts Motto Succeed

I mean, the sonnet will simply tell you, that’s too many syllables or that’s too many lines or that’s the wrong place. So, instead of being alone, you’re in dialogue with the form.

Related Topics

Popular Authors

I mean, the sonnet will simply tell you, that’s too many syllables or that’s too many lines or that’s the wrong place. So, instead of being alone, you’re in dialogue with the form.

Related Topics

Popular Authors

More Billy Collins Quotes