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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.

Guillermo del Toro

The fairies in the ancient notion of fairies, they are not positive and cute and twinkly.They can be incredibly nasty or they can be incredibly benign. It’s a really interesting mythology when you dig into it.
GUILLERMO DEL TORO

Cute Interesting Nasty
I would much rather see somebody bring something new to a genre than produce something that seems safe.
GUILLERMO DEL TORO

Genre New Safe Something
I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it’s great, too.
GUILLERMO DEL TORO

Effort Fighting Thinking
If you don’t take it personally, the partnership between producers and directors is very intimate.
GUILLERMO DEL TORO

Directors Intimate Partnership
I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
GUILLERMO DEL TORO

Character House Needs
I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
GUILLERMO DEL TORO

Actor Comfort Lasts Way
You have to believe the magic to see it.
GUILLERMO DEL TORO

Believe Look Magic People
I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
GUILLERMO DEL TORO

Important Real Thinking
What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
GUILLERMO DEL TORO

DNA Library Profound
There are times when you are in despair, because in order not to betray who you are, you don’t compromise, you don’t make movies that would be very lucrative or prestigious or easily understood. And yet I stay attached to the most uncanny premises. It’s never been easy.
GUILLERMO DEL TORO

Compromise Despair Easy
For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TORO

Backbone Devil Neurotic
People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
GUILLERMO DEL TORO

People Thinking Waiting
I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
GUILLERMO DEL TORO

Block Retreat Want
When I stage a violent scene, I try for it to serve a purpose. I do love those things, the makeup effects. But I love them more with the monsters. I never was much of a gore guy. I’ve always enjoyed just creating monsters.
GUILLERMO DEL TORO

Guy Makeup Trying
Its a bit cloudy in London but people are already drinking out on the streets- God Bless the pubs.
GUILLERMO DEL TORO

Drinking London People
You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
GUILLERMO DEL TORO

Continue Fantastic Liberation Money

I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.

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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.

Related Topics

Popular Authors

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