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I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.

Billy Collins

The poem is not, as someone put it, deflective of entry. But the real question is, ‘What happens to the reader once he or she gets inside the poem?’
BILLY COLLINS

Poem Real Thinking Writing
As soon as I start to write I’m very aware, I’m trying to be aware that a reader just might well pick up this poem, a stranger. So when I’m writing – and I think that this is important for all writers – I’m trying to be a writer and a reader back and forth.
BILLY COLLINS

Aware Stranger Thinking Trying Two Writing
High School is the place where poetry goes to die.
BILLY COLLINS

Dies High School
A motto I’ve adopted is, if at first you don’t succeed, hide all evidence that you ever tried.
BILLY COLLINS

Firsts Motto Succeed
The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out.
BILLY COLLINS

Agendas Discovery Writing
The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion,
BILLY COLLINS

Conclusion Fishing Memories Novel Phones
No one here likes a wet dog.
BILLY COLLINS

Dogs Likes Wet
I had a sense, I guess, from just reading a lot of poetry of how a poem would start and how it would end but really I didn’t know what I was doing. It had very little connection to my life.
BILLY COLLINS

Connecting Interesting Poem Poetry Sense
The entire novel which suddenly becomes one you have never read, never even heard of, as if, one by one, the memories you used to harbor decided to retire to the southern hemisphere of the brain, to a little fishing village where there are no phones.
BILLY COLLINS

Decided Heard Hemisphere Memories Southern Suddenly
You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
BILLY COLLINS

Simplifying Thing Voice
I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.
BILLY COLLINS

Himself Interrupt Other Reader Utterance
I could look at you forever and never see the two of us together
BILLY COLLINS

Forever Together Two
I try to presume that no one is interested in me. And I think experience bears that out. No one’s interested in the experiences of a stranger – let’s put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
BILLY COLLINS

Combined Experience Poetry Stranger
…balancing the wish to be lost with the need to be found.
BILLY COLLINS

Lost Needs Wish
I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
BILLY COLLINS

Clarity Comprehensive Exposed Real Risk Thinking
I can’t picture myself starting out aiming to do anything or having much of an agenda.I think in writing a poem, I’m making some tonal adjustments, and it took me a long time to allow anything like fun into my poetry.
BILLY COLLINS

Fun Thinking Writing

I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.

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I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.

Related Topics

Popular Authors

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