Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
BERNARDO BERTOLUCCII am still against any kind of censorship. It’s a subject in my life that has been very important.
More Bernardo Bertolucci Quotes
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
BERNARDO BERTOLUCCI -
The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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I don’t film messages. I let the post office take care of those.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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I left the ending ambiguous, because that is the way life is.
BERNARDO BERTOLUCCI