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I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.

Darren Aronofsky

I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
DARREN ARONOFSKY

Teacher Thinking Writing
I think it’s my nature to try and make original content, and that’s what I’ve done, is just try and approach things in an original way, and do things differently.
DARREN ARONOFSKY

Done Thinking Trying
Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
DARREN ARONOFSKY

Character Different Technique
I couldn’t sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
DARREN ARONOFSKY

Inspiring Movie Sleep
God can be found anywhere, and in fact, everywhere. And you don
DARREN ARONOFSKY

Anywhere Don Found God
Animators have to live life 24 times as long as we do – every 24 frames of a second.
DARREN ARONOFSKY

Chance Life Live Long Second
If you think of that, as a parent, you know that if you have too much justice and you’re too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
DARREN ARONOFSKY

Child Justice Mercy Parent Part
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
DARREN ARONOFSKY

Cameras Film Hunger
I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
DARREN ARONOFSKY

Dad Kept Poetry Teacher Writing
I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
DARREN ARONOFSKY

Filmmaking Narrative Theme
I think people are people and if their feelings are real and truthful, they can connect.
DARREN ARONOFSKY

People Real Thinking
I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
DARREN ARONOFSKY

Actors Thinking Years
I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
DARREN ARONOFSKY

Art Challenges Thinking
These wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
DARREN ARONOFSKY

Drama Garden Insurance Running
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
DARREN ARONOFSKY

Fall Real Summer
For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
DARREN ARONOFSKY

Bars Giving Long

I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.

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I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.

Related Topics

Popular Authors

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