I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you’ve always lived.)
BRET EASTON ELLISI’ve been accused of being very vain about my apathy.
More Bret Easton Ellis Quotes
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Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
BRET EASTON ELLIS -
I have to return some videotapes
BRET EASTON ELLIS -
That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
BRET EASTON ELLIS -
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
BRET EASTON ELLIS -
I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
BRET EASTON ELLIS -
I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
BRET EASTON ELLIS -
Why was I holding on to something that would never be mine? But isn’t that what people do?
BRET EASTON ELLIS -
One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
BRET EASTON ELLIS -
Do you wear a diaphragm everywhere you go?’ I want to scream, but stop myself because the idea really excites me.
BRET EASTON ELLIS -
He was simply someone who floated through our lives and didn’t seem to care how flatly he perceived everyone or that he’d shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
BRET EASTON ELLIS -
Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.
BRET EASTON ELLIS -
You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
BRET EASTON ELLIS -
I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
BRET EASTON ELLIS -
You really write the books you want to write. You can’t take into consideration anything that anybody has said about you in the past, or what they’ll say about you in the future.
BRET EASTON ELLIS -
And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
BRET EASTON ELLIS