A job is a job. And I like to work.
BRENT SPINERLike, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
More Brent Spiner Quotes
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Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
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Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she’s the queen of the web.
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Timing is everything, as you know.
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Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
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Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken.
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There’s such a grand fraternity of actors who’ve played the Joker, not the least of whom is Mark Hamill, who voiced it for so long and was so great. I did it one time and…
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[The Aviator] came about through John Logan, who I’ve been friends with for many years.
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People think that being on Star Trek is career suicide, but it’s really just the opposite
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There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
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I always refer to [Stardust Memories] as Sharon Stone’s and my first film.
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I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
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We would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
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That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
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