I’ve toyed with this idea [of Fresh Hell] for a long time. I actually wrote a feature years ago with this sort of concept in mind, and it’s gone through several incarnations, and…
BRENT SPINERLike, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
More Brent Spiner Quotes
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That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.
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I don’t know you could do a whole film about Dr. Okun from Independence Day.
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People think that being on Star Trek is career suicide, but it’s really just the opposite
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So it was a really pleasant surprise when [Independence Day] turned out to be a successful film. I don’t know if you’ve heard that they’re going to be re-releasing it next Fourth of July in 3-D.
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One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
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We would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
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[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what’s best in it and make it work. That’s what it was like.
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Any job you can go to and have a laugh everyday has got to be a good job.
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I know a guy who writes on the show, it was his episode, and he called and said, “Would you do it?” And I said, “Yeah.” There’s not really much else to tell, except that I was thrilled to be on The Simpsons, because it’s one of the greatest series in the history of television.
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I think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.
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Bill Prady and Chuck Lorre, the guys who run that show [Big Bang Theory], are really funny and really smart, and the cast is fantastic to work with.
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I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
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It wasn’t ’til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.
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[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
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I’ve gotten some feedback on it from people who’ve seen it and really enjoyed it, but I don’t know.
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