I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
BILL VIOLALive your Art. Don’t think about it.
More Bill Viola Quotes
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I spend a lot of time writing. I get inspiration from texts rather than images.
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There is an invisible world out there, and we are living in it.
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I don’t believe in originality in art. I think we exist on this earth to inspire each other, through our actions, through our deeds, and through who we are. We’re always borrowing.
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I like to keep the meanings in my work flowing and open.
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Since the time of St. Jerome, it was mandatory for any kind of scholar or thinker to spend time out in the desert in solitude. It’s no coincidence that the desert has been a major part of the visionary or mystical experience from the beginning of time.
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In the mid- to late ’60s to the mid-’70s, when I was a student, there was a major change in the thinking about what art can be and how art is made.
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I hope we’ll be able to see that in our lifetime: the end of the camera! When I’m in Paris, I’ll buy a big bottle of champagne and I’ll save it for that day, for the day when they’ll be no more camera.
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Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
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When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water.
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Experience is so much richer than light falling on your retina. You embody a microcosm of reality when you walk down the street – your memories, your varying degrees of awareness of what’s going on around you.
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When I make my work, I am making what I hope to be something functional – a space for individual contemplation and reflection. I want my art to be useful.
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The human brain is probably one of the most complex single objects on the face of the earth; I think it is, quite honestly.
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The electronic image is not fixed to any material base and, like our DNA, it has become a code that can circulate to any container that will hold it, defying death as it travels at the speed of light.
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It only takes a second for an impression to become a vision.
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Everything we could call the contextualizing information. Representing that information is going to be the main issue in the years ahead – how the world meets the mind, not the eye.
BILL VIOLA