I always write the first and last song of an album first, and then the middle just kind of happens.
BRADFORD COXUsually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
More Bradford Cox Quotes
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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You gotta have friends, and it’s really hard to have friends that don’t operate on the same schedule as you or do the same kind of things you do, because they don’t understand it.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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I’m a really friendly guy, I guess, and I really like meeting people.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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When I started having a couple of beers and loosening up, I realized how many years I had wasted going back to my hotel room alone when I could have gone and just had a beer or two.
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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What could be more experimental than me writing a straight up love song?
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For me, experimenting involves traditionalism.
BRADFORD COX







