I am what I am. There’s nothing I can do about it.
BOY GEORGEI don’t get all this Speedo stuff actually, I mean, whatever happened to the feather boa?
More Boy George Quotes
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Remember that I was out of the closet at the age of sixteen. My parents knew I was gay; I’d had to tell them.
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Beethoven had a great look. It was very much about the drama of appearance.
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My mother and father were fantastic, very active. I find it difficult to say this, but I’m quite a loving person and I’ve always been loving to my friends. In the long run, that pays off. I’m very interested in other people, and if you are, they’re interested in you.
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I try to exist in a world where there is freedom of opinion, where you’re allowed to make jokes. I don’t want to live in some PC world where no-one’s allowed to say anything.
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As a gay man I feel very strongly about those issues around the world – there’ve been huge changes and developments, but there are still places where things are scary.
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What happened during the previews of ‘Taboo’ [musical] was that it was the first time I’d ever been written about as a great song-writer.
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I exercise. I go to the gym every day. It’s about respecting what you’re doing. You’re going on stage. You have to sleep. You have to be prepared.
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For me the most interesting thing about Leigh Bowery was the way he used his body as a style statement. He was a big guy, but, because he was tall and had long legs, he looked in proportion – even sexy – despite being overweight by conventional standards.
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I cried. I absolutely wept, because it wasn’t the usual stuff like, “Oh, he was a drug addict and he did this and that…” It was really looking at the music and it was really complimentary. It was a huge thing.
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I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.
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For me, touring is about looking after myself.
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The most political thing you can do is be yourself
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I’d got very successful, everyone knew who I was, but I felt very empty.
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Voting for New Labour is like helping an old lady across the road while screaming ‘Get a move on!’ Even the Tories, who you could once rely on to be completely heartless are pretending to care.
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So much happened in that 10-year span. There were so many musical revolutions. Some were happening at the same time.
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I think people could be a bit friendlier. The only real contact you have with people is when they’re annoyed if you’ve had a party – you know, it’s been a bit too noisy for them or something.
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Part of me looks at the gay movement now and worries that we’re losing our individuality.
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I just remember the audience looking really horrified because Rosie [O’Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it’s a family show.
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I knew style and content went hand in hand.
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You can partake of the buffet a little bit more than you should, so you have to have a routine.
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A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn’t just about sexuality. It was about anyone who felt different; anyone who felt out of place. Being gay was one part of it.
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When Culture Club broke up, I hadn’t been going out a lot because we’d been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
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The 1970s was probably the most exciting decade to be a teenager, from discovering Little Richard at the end of the 1960s to glam rock to punk rock to electro music.
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Maybe without me, there wouldn’t be Adam Lambert. Without Bowie, there wouldn’t be me. Without Quentin Crisp, there wouldn’t have been Bowie. So everything is part of a big daisy chain.
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I was unwelcome in the U.S. for four years.
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If I ever commented on one of his outfits he would snip, “Oh, thank you, Mr. Boy George. I do value your opinion.” And then he would spin and make some ridiculous noise and mince off.
BOY GEORGE