When I first went to New York, I didn’t really go out to clubs. It was the height of Culture Club so I didn’t really have a social life. It was only after I had been to New York a few times that I started going out.
BOY GEORGEOn Madonna: She’s a gay man trapped in a woman’s body.
More Boy George Quotes
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It’s quite nice that we can have almost direct contact with anyone in the world at any time. I don’t know how important it is in terms of one’s career. It seems to be pretty much superfluous in terms of that, but it’s nice to communicate.
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I’m a big Bob Dylan fan, a huge David Bowie fan… none of those people have orthodox, cabaret voices. These are people where what they’re singing about is just as important as how they’re singing it.
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When I go onstage, I’m going to work …I feel like my performance is about an emotional connection. I want to connect with people, whether it’s like a romantic song or a happy song.
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The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn’t as big as it looked.
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So much happened in that 10-year span. There were so many musical revolutions. Some were happening at the same time.
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I think being individual in the show business is what gives you life and longevity.
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The most significant New York club for me was Paradise Garage, where they played house music. This was around ’84 or ’85.
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You’re lucky if you reach the point where you go, “OK, I have a wonderful life …I fly around the world, stay in beautiful places, people are generally quite sweet to me, what’s to complain about?” But I think you have to get there…
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The Taboo crowd was certainly less precious. They were happy to end up in a pile of vomit and booze at the end of the night. It was antifashion, in a sense. They were just as obsessive as the New -Romantics but they acted like they didn’t care.
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I like the big bombastic singers, but I’m also very drawn to what I call character singers.
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What happened during the previews of ‘Taboo’ [musical] was that it was the first time I’d ever been written about as a great song-writer.
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Maybe without me, there wouldn’t be Adam Lambert. Without Bowie, there wouldn’t be me. Without Quentin Crisp, there wouldn’t have been Bowie. So everything is part of a big daisy chain.
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Certainly for me, when punk exploded in the 1970s, it was just great. We had these wonderful clothes to wear.
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My mother and father were fantastic, very active. I find it difficult to say this, but I’m quite a loving person and I’ve always been loving to my friends. In the long run, that pays off. I’m very interested in other people, and if you are, they’re interested in you.
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A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn’t just about sexuality. It was about anyone who felt different; anyone who felt out of place. Being gay was one part of it.
BOY GEORGE