“You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.”

Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.

I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.

I like my solitude, and I’m a strong-willed person; I’m a very hard-to-be-around person sometimes, I guess.

I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.

I don’t have anything to prove.

Everybody just needs to realize that when you write something you’re just in one mood. I was told I needed to write it and it was overdue; I don’t even remember what day it was.

I was only in the public eye because I was annoying. You know how neurotic people may ask for one thing when they may really want another thing? It was like I was asking for attention, but I didn’t really want attention.

I’m glad to play for them. But I’d rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.

I’ve always wanted to learn how to paint, too. I’d like to try everything, but music is my reason for living.

And then you realize that your friends – your real-life friends – it’s not that they become fanboys of you but they become more interested in what you’re doing than how you’re doing.

It’s just different today. Nobody seems to last too long these days. I wouldn’t know how to get started today.

I don’t have the capacity to write stuff consciously. When I do, it’s really awful.

Unlike the rest of everyone I hang around with, I don’t drink, so I remember what happened after shows. And I have never hit on anyone after a show, I’m not that kind of person. Even if I was attracted to someone, I’d be too shy.

Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.

There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”

I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.

Musicians don’t respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.

When you commit to being a musician, I don’t think you’re really sure or care about when you’re going to pay the bills.

The only way that Hollywood ever skews toward liberal is because part of what we make out of Hollywood involves writers, actors, directors, musicians, set designers, and photographers.

I’d have no trouble being the barbecue kingpin of America. I’d just add it to all the other things I am: jazz musician, carpenter, architect, engineer and revolutionary.

Billy Joel is an incredible musician. He just feels like one of the guys, you know. I grew up listening to his music.

And the people all over the world that smoke J’s Kings and queens, musicians, actors Everyday, working class, stoners, slackers Low key blazers and green bowl packers

They threw these musicians at me, man, and the sound was coming from behind. The bass was charging me.

Am I in love? Absolutely. I’m in love with ancient philosophers, foreign painters, classic authors, and musicians who have died long ago. I’m a passionate lover.