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There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.

Bernardo Bertolucci

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Cinema Mixture

I’m no longer interested in making political films. There’s something old-fashioned about them.

BERNARDO BERTOLUCCI

I’m no longer interested in making political films. There’s something old-fashioned about them.
BERNARDO BERTOLUCCI

Political
To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
BERNARDO BERTOLUCCI

Abandoned Feels
There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
BERNARDO BERTOLUCCI

Cinema Mixture
I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
BERNARDO BERTOLUCCI

Disappointed Distance
Bernardo Bertolucci
BERNARDO BERTOLUCCI

Independent Playing
Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.

BERNARDO BERTOLUCCI

Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
BERNARDO BERTOLUCCI

Message Sometimes Sync
If New York is the Big Apple, tonight Hollywood is the Big Nipple.
BERNARDO BERTOLUCCI

Apples Big Nipple
A monoculture is not only Hollywood, but Americans trying to export democracy.

BERNARDO BERTOLUCCI

A monoculture is not only Hollywood, but Americans trying to export democracy.
BERNARDO BERTOLUCCI

Trying
What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
BERNARDO BERTOLUCCI

Autobiographical
Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
BERNARDO BERTOLUCCI

Cobbles Easy Everywhere Pavement
I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
BERNARDO BERTOLUCCI

Cameras Each Return
The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
BERNARDO BERTOLUCCI

Authoritarian Feminist
Bernardo Bertolucci
BERNARDO BERTOLUCCI

Cinema End Fascism Incredible
I left the ending ambiguous, because that is the way life is.
BERNARDO BERTOLUCCI

Ambiguous Way
I don’t film messages. I let the post office take care of those.

BERNARDO BERTOLUCCI

I don’t film messages. I let the post office take care of those.
BERNARDO BERTOLUCCI

Message
I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
BERNARDO BERTOLUCCI

There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.

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