“If I had done ‘Titanic,’ it would have made, probably, $200,000 – worldwide. So I think my life would have been very, very similar.”

One of the great tools we use in acting is the idea of immediacy, that the audience gets to see you witness something apparently for the first time, so you create a lot of tools to kind of trick yourself into making it appear something is happening for the first time.

When somebody on a professional scale says “you did it wrong,” it has a pretty intense impact. If you don’t have some kind of opposing force to say, “that’s all right, that’s their opinion,” or, “I may have screwed that one up but I’ll do better the next time,” then you’re screwed.

You’re giving the audience in real time something authentic from yourself. As an actor, my bullshit meter was going off like crazy at my first attempts to find my own rock star.

From here on out, I am only interested in what is real. Real people, real feelings, that’s it. That’s all I’m interested in.

I feel the film companies should pay for proper advertising to see that the movie will sell, instead of putting it on our backs.

I don’t want to expose the intricacies of my work so people can understand how I did it.

Interest in certain themes doesn’t mandate a personal stake or personal experience of those themes. I’ve killed people in plays, but no one asks me what it’s like to kill people.

A man tells his stories so many times that he becomes the stories. They live on after him, and in that way he becomes immortal.

That’s what I always enjoyed about acting, the real adrenalin rush. My heart – still before I go on stage – crashing out of my chest. That’s thrilling to me.

I always end up taking people that are morally ambiguous.

My parents were really encouraging. But I had to teach them the proper way you respond to an actor after seeing a play – regardless of whether you like their performance you tell them how great they are because they have to go on again the next night.

It was made that way. And what you have is a system in which people are there to be exploited.

I’ve always said that if I could have made a living someway in gospel music,

Oh, it is dreadfully bitter to look at a woman whom you have loved with all your heart and soul, so that you felt you could not bear to let her out of your sight, and realize that you would not mind if you never saw her again. The tragedy of love is indifference.

You see how this House of Commons has begun to verify all the ill prophecies that were made of it – low, vulgar, meddling with everything, assuming universal competency, and flattering every base passion – and sneering at everything noble refined and truly national.

Rules are mostly made to be broken and are too often for the lazy to hide behind.

Cultures are virtual realities made of language.

So when my daughter told me on the second track meet that she was done with it because she discovered she didn’t like competing, I made her finish the season.

There are four questions of value in life, Don Octavio. What is sacred? Of what is the spirit made? What is worth living for and what is worth dying for? The answer to each is the same. Only love.