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1. black
2. grey
3. blue
4. red
5. brown
6. white

I think that’s the key to being a director: to be able to get the shot and move on quickly.

Bobby Farrelly

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  I just feel I’m on a different page from the reviewers, so I’ve learned not to care about them too much.

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• 

  You know, I can’t remember the last movie I walked out of. If I pay, I’ll see it through. I can’t be halfway through a movie and think that I know everything that’s going to happen, because I hope that I’m wrong.

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  In comedy, though, it’s good to get feedback from the audience about what they find funny.

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  We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn’t want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.

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  We feel that what’s too far is when you make a joke and somebody gets hurt.

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  Writing is very difficult. You have 120 pages of blank paper and it’s like, “Go fill that up with some funny stuff,” and that’s challenging.

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• 

  Clint Eastwood. Here’s a guy who’s been involved in so many movies, lots of them masterpieces, and now he’s a director. I just like everything I know about him. He’s very decisive, he makes up his mind real quick.

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  In the world of comedy, having a partner is not the most unusual thing.

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• 

  We love the Stooges, and young kids today don’t watch them. They think it’s their dad’s comedy. So we thought we could reintroduce them to a new audience.

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• 

  I think that’s the key to being a director: to be able to get the shot and move on quickly.

  BOBBY FARRELLY
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